Athier: Man of War

 

Athier left Iraq before the first Gulf War in 1990 and has divided his life since then between London and Paris. His works reflects his past, with each canvas a deft and imaginative integration of motifs, which include Mesopotamian and Assyrian symbolism, figurative abstraction and Islamic geometry. Elsewhere there are echoes of a pre-revolutionary Iraq, testament to the powerful and enduring sense of exile and nostalgia, which suffuses so much of Athier’s work.

 

The central symbol throughout this new series of works is the Portuguese Man of War, a highly sophisticated ‘colonial’ organism, often mistaken for a jel- lyfish, which is made up of many separate parts incapable of independent survival. This creature exists without a central brain or what we would call thought. Yet it has perfected the ability to hunt, kill and destroy. Like a jellyfish, its movement appears intuitive, its abiotic form collapsing inwards and pushing outwards, creating the tenuous expansion and release that propels it through the water. In Athier’s paintings, this fluid movement is broken up and distorted by a rigid structure which traps a diversity of life within its trailing tentacles. Sub- verting the concept of this marine life-form is a reflection of Athier’s experience of watching warfare in the Middle East from his position of exile in the West. His dense, painterly compositions, replete with human teeth, hands, eyes and pockets of blood cells, echo both the kinetic energy of an explosion and the organic form of the Man of War, always on the move, homing in on its target, stealthily and with precision.

 

About the Artist

 

The son of renowned Iraqi architect and artist, Ali Mousawi and Maysaloun Faraj respectively, Athier Mousawi (b.1982) and his approach to painting can be traced to a respect for the rigidity of bold Arab architecture with the colour and vibrancy of Iraqi painting. Having studied his MA in illustration at Central Saint Martins in London, Athier’s attention to the minute and narrative began here. Upon moving to Paris, the spiritual home of Modernism, Athier’s style of painting began to combine all aspects Modernism, architecture, illustration with his strong Iraqi influences. Athier currently lives and works between Paris, London and Istanbul. A keen advocate of art education, he has led art workshops in refugee camps in Beirut, Istanbul, Amman and Jarash (2012), and throughout London as The National Portrait Gallery's 'Chasing Mirrors' artist in residence (2011) and British Museum artist in residence 2007-2009. Previous solo exhibitions include: Ayyam Gallery, Beirut (2013), Cuadro Fine Art Gallery, Dubai (2012, 2011); and The Empire Project, Istanbul (2012). Selected group shows include: Traffic Gallery, Dubai (2012); National Portrait Gallery, London (2011); The Royal Academy, London (2011); Al Mansouriyah Foundation, Paris (2010-2012) and British Museum, London (2007-2009).

 

About Edge of Arabia

 

Edge of Arabia is an independent arts initiative developing the appreciation of contemporary Arab art and culture. As a social enterprise Edge of Arabia is committed to reaching local and international audiences and improving understanding through free exhibitions, publications, and an international education programme.

www.edgeofarabia.com 

 

About EOA. Projects

 

Born out of the international success of Edge of Arabia, EOA.Projects (EOA.P) is a gallery and production platform committed to supporting the careers of Middle Eastern artists, and generating a sustainable income for the artists and the non-profit work of Edge of Arabia.