Sama Alshaibi’s Four Series draws on historical sources, contexts, and techniques to articulate the definitions and exploitations of freedom.
Multimedia artist Sama Alshaibi consistently interrogates the female form as a nexus point for politics, histories, climate, and forced migrations. Her exhibition Four Series at Zane Bennett Gallery spans 15 years of artistic inquiry with a selection of photographs from four discrete bodies of work: Carry Over(2019), Silsila (2009-2017), Between Two Rivers (2008-2009, 2016), and Negative’s Capable Hands (2007-2010). Each series represents a facet of her interrogation, drawing on historical sources, contexts, and techniques to articulate the definitions and exploitations of freedom.